A simple premise -- boy meets girl and is pulled into the magic world of love -- is stretched into a full-fledged Telugu film by Gautham Menon, resulting in a breezy and lyrical movie thanks to A R Rahman's brilliant music and background score.
Gautham has chosen beautiful locales to shoot the love story with good camera work by Manoj Paramahamsa. As a result Ye Maya Chesaave is a veritable feast for the eyes.
Karthik is at a stage of his life where he has finished his engineering and his parents want him to take up a job. But he wants to be a film director. It's at this time that Jessie (Samantha) walks into his life. She lives in a flat above Karthik's parents. A smitten Karthik tries to woo her. The only hitch is she's a Malayalee Christian and two years older than him.
The film has a feel-good effect. It's yet another film which shows that love transcends religious boundaries, and here age too. The fact that the heroine is older is quite reflective of the times today.
Gautham Menon has woven a fairly good screenplay which holds the film and arrests the attention of the viewer. He does bring out the emotions and expressions well in the artists. His script plus direction are the main strong points of the film.
Rahman's poetic and romantic touch also helps. In fact, the background score which is mellifluous and symphonic in many parts accentuates the romantic feel of the film.
Gautham has chosen beautiful locales to shoot the love story with good camera work by Manoj Paramahamsa. As a result Ye Maya Chesaave is a veritable feast for the eyes.
Karthik is at a stage of his life where he has finished his engineering and his parents want him to take up a job. But he wants to be a film director. It's at this time that Jessie (Samantha) walks into his life. She lives in a flat above Karthik's parents. A smitten Karthik tries to woo her. The only hitch is she's a Malayalee Christian and two years older than him.
The film has a feel-good effect. It's yet another film which shows that love transcends religious boundaries, and here age too. The fact that the heroine is older is quite reflective of the times today.
Gautham Menon has woven a fairly good screenplay which holds the film and arrests the attention of the viewer. He does bring out the emotions and expressions well in the artists. His script plus direction are the main strong points of the film.
Rahman's poetic and romantic touch also helps. In fact, the background score which is mellifluous and symphonic in many parts accentuates the romantic feel of the film.
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